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(I) Art
How Quick Hopes have Sudden Ends- Meisam Ganjkhani
(II) WRITING
Three Poem Collection - Claudia Wysocky
Rhapsody of Roaring Riptides - Claire Kroening
The Summer Waves - Claire Kroening
If God isn't Real - Jillian Thomas
Blood Tsunami - Jillian Thomas
Body Exchange - Jillian Thomas
Soldier, Poet, King - Jillian Thomas
Orange - Summer McGill
The Sailor - Zeidan Naqeeb Bin Zulkifli
New Country - Nidhi Odedra
A Lonely Girl Swallows Smoke - Ava Devenitch
Stargazing - Olivia Udoye
"A Poem about Love" - Lorhii Nelson
God; Do you even know my name? - Camila A. Robles
"Wonderful Thing" - E.J.M
Francis H. Powell- Battle Sweat Lost
Thoughts- anonymous
Mumbling Glasses- Mehek Tripathy
"The Blue Yonder"- Jezabel Castillo
Cathedral Ruins- Tatum Bunker
As I Walk These Familiar Streets- Faith Denise P. Morales
How Quick Hopes have Sudden Ends
Meisam Ganjkhani is an M.A. graduate in English literature from Allameh Tabataba'i University (Iran). His childhood was spent in the dreamworld of art, his adolescence in literature, and his early-adulthood in philosophy. In the formative years of his master's, he built up a bridge connecting these worlds, the outcome of which was a thesis that focuses on comparative literature and existential aesthetics, along with two other published papers. Eversince 2020 most of his research has been centered on phenomenology, art history, Victorian literature, and the Pre-raphaelite art and literature. He is now an aspiring illustrator as well as a writer.
I have known some bitter things, —
Anguish, anger, solitude.
Year by year an evil brings,
Year by year denies a good;
March winds violate my springs.
I have known how sickness bends,
I have known how sorrow breaks, —
How quick hopes have sudden ends,
How the heart thinks till it aches
Of the smile of buried friends.
(Elizabeth Barrett Browning)
The painting is a free attempt to illustrate two stanzas of Elizabeth Barrett's poem "Proof and Disproof." It depicts an androgynous figure standing on the grave of its buried love (on which the name of the artist and the date of its creation have been engraved). The materials used are colored pencil and paper.
Three Poem Collection
by Claudia Wysocky
Claudia Wysocky, a Polish writer and poet based in New York, is known for her diverse literary creations, including fiction and poetry. Her poems, such as "Stargazing Love" and "Heaven and Hell," reflect her ability to capture the beauty of life through rich descriptions. Besides poetry, she authored "All Up in Smoke," published by "Anxiety Press." With over five years of writing experience, Claudia's work has been featured in local newspapers, magazines, and even literary journals like WordCityLit and Lothlorien Poetry Journal. Her writing is powered by her belief in art's potential to inspire positive change. Claudia also shares her personal journey and love for writing on her own blog, and she expresses her literary talent as an immigrant raised in post-communism Poland.
You
I thought that if I were a better person, then maybe things would go better for me.
I thought that if I were a better person, then maybe I’d be happy.
I don’t know what I want anymore.
I saw that I had a test today.
What’s the point?
I saw you across the sea,
and wondered why someone was looking so sad.
I am not brave, but I felt a lump in my throat.
How to explain a broken heart? To even explain it at all?
But words...I am empty and full.
I did not know you, but I felt like I did.
I wanted to tell you, "I want you to be happy."
But all I could do was feel.
I cannot think,
though I do.
I won't close my eyes if I'm awake—because sleep is not a problem anymore.
The rest of the world is shapeless though—I hoped you would fill it in some way.
Us Two Poets
I stand before you now. . .
We are two poets. . .
Will you let me be?
Will you accept my world as it is?
I've only just wished for a second chance. . .
Everything I want for myself. . .
I've been too scared to dream. . .
—My world has been too tame.
I will open my eyes and feel you here. . .
—I will learn to love what I see.
I can no longer see
'cept in your mirror.
You're my darkness and my light
—and I don't mind.
Your hands are cold—your voice is tempered steel
—But these things I don't mind.
I can no longer feel
'cept in your arms,
You are my life and my death
—as I slowly die,
I will believe in what you see.
So speak words into the earth…
With the light of a kiss between us.
The Seventh Column
Once again Diderot's beautiful ruin stands
in the corner of my mind,
the great book-city he described in Les Bijoux Indiscrets.
It stands there with its cupola and wings and spires;
the vast cranes that have been thrown up over the roofs,
the towers of every color and shape, like laments;
the wide-open windows that look out across the city's view:
and here a rich man's palace, there a poor man's hovel,
and everywhere the same old poverty and misery.
The sun shines on Diderot's ruin, but it is not enough to warm
the air. It glares on the golden spires and cupolas,
and melts the stone and marble into liquid gold.
The shadows lie across the dusty streets like a veil of fire;
the scorched pavement is strewn with broken glass,
with splinters of wood and bits of plaster; the dead leaves rustle,
and amid that universal silence one hears the distant hum
of a city in pain.
Rhapsody of Roaring Riptides
by Claire Kroening
Claire Kroening is a writer an editor based in the Midwest. Their writing has been published in a multitude of magazines and journals worldwide, both online and in print. Their work has also appeared in anthologies by Indie Earth Publishing and Thoughts Hymn Publishers, among others. When they aren't browsing the latest zines, they enjoy visiting art museums and working on their latest endeavors at a local coffee shop.
Mid-January
we walk the rumbling surf,
catching saltwater
skies in the palm
of our hands.
Like rippling seafoam
we sink into
rugged sands;
melancholy melodies
whispered in the air
while we leave
riptides
over unearthed seas.
The Summer Waves
by Claire Kroening
Claire Kroening is a writer an editor based in the Midwest. Their writing has been published in a multitude of magazines and journals worldwide, both online and in print. Their work has also appeared in anthologies by Indie Earth Publishing and Thoughts Hymn Publishers, among others. When they aren't browsing the latest zines, they enjoy visiting art museums and working on their latest endeavors at a local coffee shop.
The rippling shores call sanctuary
to colonies of birds
adrift in the salted-summer air;
with every crash upon rising waves,
hidden discoveries wash landwards
in speckles of sea glass–
long abandoned by the passing of time.
If God isn't Real
by Jillian Thomas
Jillian is a 17 year old poet from Pennsylvania who writes about outer space, mental health, and philosophy. She has been published or is forthcoming in Fruitslice, Zhagaram Lit, Footprints on Jupiter, Mollusk Lit, Clementine Zine, and Levitate, among others. In her free time, she runs a litmag and listens to the Hamilton soundtrack.
a dripping universe //
love cannot escape the hands of orion &
i lust for midnights
spent with my hair splayed
out over the grass, my yellow
sundress grazing the sunburnt
skin below its fabric
i swear i can see
the moon’s magnet
pushing and pulling the mercurial
tides of the sea, lining my veins with
astral electrocution, jolting
my thickening blood into motion
but one
by one the stars
are jading and the night sky
is no longer littered with light,
heavy with wishes made when
they were sprinting above us
the air is exponentially filling with flocks
of butterflies with broken wings
and doves with broken necks and
i can't help but wonder if maybe
there is a god somewhere
and they are sweeping away
the eudaimonia choking the carbon
right out of our atmosphere,
taking with it amethyst and antidotes,
a jealous omnipotence
exacting revenge on the people
they wish loved them back
because why else would
rhapsodic august nights
be overlaid with the
symphony of irreparable
sculptures?
Blood Tsunami
by Jilian Thomas
Jillian is a 17 year old poet from Pennsylvania who writes about outer space, mental health, and philosophy. She has been published or is forthcoming in Fruitslice, Zhagaram Lit, Footprints on Jupiter, Mollusk Lit, Clementine Zine, and Levitate, among others. In her free time, she runs a litmag and listens to the Hamilton soundtrack.
i don't remember what it feels like to
be drowning but i imagine it is a lot
like this: a lot like a poet breathing without inhibition--
without overthinking // without loving
for the very first time;
a lot like feeling the spaces
between your lungs and your
stomach slowly overtaken with
a body exacting revenge:
it was never supposed to be like this,
you were never supposed to plaster
fragile drying skin against salty air
it is not until
the bile is filling your nostrils
and coming back up your throat that
you notice it has already filled every crevice
of bursting blood vessels snaking through your nearly
dying body and you are trying in vain
to bail the water out--
& all you have are bitten down fingernails
and hands with holes in them and who
can save a drowning girl with hydrophobic hands
so you wait until you are vomiting stomach acid,
crying acidic melancholy and burning your clothes
right off your feverish skin
you lower yourself onto the floor and let
your watered down grief
drip to the floor as you writhe and sob and
scream because in what world
should you be naked and turning septic,
your body staging an attack on your
viral//chronic depression
after you are wrung dry
of everything you have to give
you sit in your own rotting flesh,
slipping on your own organs as you
try to escape the apocalypse--
and your organs fold their way back into your body,
stretching the skin you tried to make uninhabitable,
but they are resilient and loyal and as the floor dries up,
it starts dripping
like tap water back into the place it
has already burned a hole in and
your bones prime themselves
for the third attack this week,
and you
have no choice but to fold
your broken hands over your gaping chest
and wait to overflow.
Body Exchange
by Jilian Thomas
Jillian is a 17 year old poet from Pennsylvania who writes about outer space, mental health, and philosophy. She has been published or is forthcoming in Fruitslice, Zhagaram Lit, Footprints on Jupiter, Mollusk Lit, Clementine Zine, and Levitate, among others. In her free time, she runs a litmag and listens to the Hamilton soundtrack.
do you remember where you were
the first time you hated your own silhouette?
sometimes i wish i could
cut open the dried out
blistering flesh covering my
knees and elbows and draw my joints out
of their bloodied homes, crawfish corpses included
i would dust them in saffron and tangerine
and pat them dry and lend
them to someone who has
muscles aching from
running through the mind
of their lover and
across streets and sand and
lawns with reckless abandon
and instead of knives damning
my innocent flesh to the spotted lanternfly hordes,
a muggy august evening would witness my lungs
carrying my body to safety, exchanging it at a consignment shop
for a safer, newer model,
one with joints that don’t
ache and blood that will drip between
ribs and lungs, doing its real job, instead
of eking out of chasms and onto
tiles eternally inked with the tangible
version of my lowest point,
platelets cannonballing into checkered blue,
mourning the family they left behind in
my femoral artery // below my patella // the curve of my breast,
worn down into compliance with my decree, the first generation
of every bloodlined vein ends here,
my own puppeteer watching me
gasping for air and scrambling
away from the same thing day after day
my scarring knees and elbows will experience
a love conjured only in my maladaptive state
even if the love isn’t my own,
i will live vicariously through my hearts adopted mother
but still i am ringed with doubt…
//
so let’s say i do get a new body.
maybe it will be worse
than the one i have now
and i will find a new way
to drench it in acid and turn
it inside out as it slowly melts away
and maybe it will be crueler
to me than the first and i will be
forced to arduously
scrape the inside of my eyelids
until purple veins burst into
red, blood pouring down my face
in a silent symphony born from
madness or maybe just desperation
but maybe it will have a heart
that doesn't wish to be strangled
by the deft hands of god
with every bated breath
and it will have a soul that doesn’t
tear its own hair out every time
i fall asleep, leaving it to its own devices
[the first of many mistakes].
maybe, if i am lucky,
it will grant me permission
to glaze it in increments of love,
a manufactured substitute for a mother,
until it can breathe on its own
instead of being manually operated
by doctors with little faith.
Soldier, Poet, King
by Jilian Thomas
Jillian is a 17 year old poet from Pennsylvania who writes about outer space, mental health, and philosophy. She has been published or is forthcoming in Fruitslice, Zhagaram Lit, Footprints on Jupiter, Mollusk Lit, Clementine Zine, and Levitate, among others. In her free time, she runs a litmag and listens to the Hamilton soundtrack.
i. soldier
i let my enemies decimate me and
leave my skin on the battlefield for wild animals to devour:
maybe they will have a use for my ribs- forever pressed against my
suffocating skin.
but sometimes i am a soldier, launching missiles into opposing camps and
making them pry my last breath from my eternally fighting lungs and
i report to the general nestled in my head- one wrong move and a landmine
detonates beneath my feet and i am thrown to the wolves
ii. poet
at my very core, i am a poet, and i believe this wholeheartedly.
how could i not be, with unnamed emotions crawling under my skin,
begging to be penned and immortalized?
i would not refer to myself as a poet anywhere outside my bedroom until
i was officially published but now when novices ask for advice i always tell them
that writing a poem makes you a poet-
how brave it is to try and make sense of your deepest fears.
iii. king
i am a king of many things, but can never be appointed
the ruler of my own thoughts, no, they are controlled by someone else-
someone who plays russian roulette for fun and drinks whiskey to excess
but i am the king of manipulation- of caramelizing the kicking monsters that
deform my neurons with their breath until they are pacified and i have at least
the illusion of control.
one day, i will take back my throne, and you will all be around to watch it happen.
Orange
by Summer McGill
Summer McGill is a Varsity Speech and Debate competitor, a NIETOC qualifier, a Poetry Out Loud State qualifier, an actress, and a Brazilian Jiu-jitsu Martial Artist. Summer has always wanted to speak her mind and tell the most complex stories to others as a way of communication.
Description about writing work: I have always loved the symbolism people have put under certain colors. This symbolism has reached centuries back in clothing, royalty, love, and Religion. To turn something so modern, as this piece, to represent something so historic, that humans feel, is what made me write this.
The orange walls bleed a yellow tint. The paint curls into cylindircal strips at the apex of wall and ceiling. Orange reaches so far down it dawns to touch the floor and scrape the boards of wood, to then sink into the cracks and infest it's way inbetween dust and cracked worn out caulking, that has dried it's way through years of use. The orange talons tear from the face as yellow peaks out reaching for me like tendons of orange are to claw at my eyes to save me from bright yellow. A ray of sun in the already burning atmosphere. Even something so bright as the color orange has to fade at some point; orange never loses it's colour, just reshapes itself; whereas, yellow is always there. Blindingly shaping itself into something great. Suddenyl, the walls crack. Orange cracks slide down the wall in a race, and more of the yellow seeps into my irises and bends theough white to reach the back of my eye, hitting wall, bouncing back. The richichet comes back harder and rips through tissue, to then imbed isteld into my brain. My mind seems to mend itself back into previous recollections as yellow takes over, dripping into brain matter. I am brought back to the yellow dripping from my walls; new, different, having been seen before for centuries upon centuries and yet knew to my tawny life. Yellow ochre has been derived from clay older than my skin, has been painted on cave paintings older than the crusted dry skin upon my lips, has been painted upon more knowledgeable minds than mine. Yellow is the natural world: the sun, the eternity, the new and unabashedly beautiful. For being so striking and apparent, my mind wanders again, letting yellow sink deeper until it bleeds into sand. A cart travels on the Darb el-Arbain, passing in it's wake the Kharga in the south and the Asyut in the north. From Nubia a man with eyes carrying bags of life; carries the bags of trade. To Egypt. From the Old Kingdom, to the new. The cart being headed by a venerable donkey, that's age rivals the bygon nature of its owner and navigator. Both headway the cart filled with the greatest wonders of ink on papyrus, and with hooves on dirt. A cascading chirp of foot hitting sand, while the left side of the horse and the man workers harder as the right slumps across partciles of grain, carrying the left. When the hot dirt of the ground clumps up and creates unweary obstacles of debris, matched for a catastrohe, the donkey is pierced within its hoof. The cart rocks as knowledge crashes into the side of wood and then falls to the ground. The old man crashes with his life experience and looks to the best of his abilities beneath him. It is diffucult to see theough old eyes, when the far more superior sun swells in vision. His mind wanders from eyes to the dryness of his neck, dirt settling in valleys of old. To his chest, hesrt beating so rapidly like a hand on a drum. To his arms, weights holding his bones down as sand scratches the skin. To his fingertips. Oh, his fingertips. Fire sets below his fingertips as the scorching flirt of the sun burns his palm, as the sun renewed burns atop his scarcely haired head. His wrinkled hands twist together as his elbows tuck into his ribs, and he pushes up. The suns foot pushes his back leaving his stomach to the sand. His visage twists in pain as the sun tugs at the loose skin. A push and a pull. A yellow sun and a red man. His body sways forward but he catches his footing and stamps his feet to the rustled ground. He hobbles over to his companion, his sight swaying with every footstep. A terrifying dance captures the old man as he tries to get away from the tango of heat. Only to see deep red crimson flow like a river from the donkeys hoof. That is when his vision stills. He looks the creature in it's eye and it stares back. Orange hazel eyes pierce into the old man's life, the materials of trade don't matter anymore. His life's work does not matter anymore. Neither does the sun, or the weight, or the time and its passing. All that's left between the two, is an understanding. The weak man stares at the donkey with a piercing gaze, no twitch of absence announced. He steps into the pool of blood, the sloshing and click of a tide beneath his sandal. Flowing over the arch and onto the souls of his feet. Onto the feet that may be abused by the sand, but untouched by the sun. The old man kneels down, his knees cracking on the departure torwards the crust of earth and liquid of life. The blue of his clothing, now black and soaked. His hand reaches the donkeys fiery eyes still alight with colour, but no longer with life. With one last look, his hands reach eyelids and then flutter down to close them. A door is closed, a lock is locked, and a key is lost. The old man understands, as once had the donkey. The old man does not cry or weep, he gets up. His back strains as he twists away from the scene; it's not grotesque. Red is inevitable. Red is not invited, yet it will always come knocking on the doorstep of yellow. The man turned not to look away, but to look forward. To his life's work. The dust and sand has already swept it away; the wind has done its job. He stares down a whirlwind of debris and sees not the papers flying in the wind, but himself staring back. Orange is not what I see anymore and yet I cannot help but look back upon it. Orange never was its own colour. Not too special to ever be. Orange was always yellow-red. The combination of fundamentals, yet both redacted. Orange, a color of what once was. Egyptian merchants traded oranges — the fruit — with Russia. Egypt-Russia. Unlike eachother yet trading fryits of labor. Old and new allies, but only because of tradition. Only because of need. Only because of yellow-red.
The Sailor
by Zeidan Naqeeb Bin Zulkifli
A diploma student seeking for the answer in life
There once was a sailor,
who misses the land,
his home,
his wife,
his many kids,
how it would fill the silence,
that echoes within the hull of the ship.
Away he went,
days turn to nights,
and when he returned,
his child long gone,
and his love departed.
The sailor now misses the ocean,
the salty breeze,
the noisy waves,
the sweltering sun,
how it will fill the void in his small abode.
Battle Sweat
by Francis Hulbert-Powell
He is is a British published writer, poet, artist and musician who lives in France. He has been a teacher for a long time.
Description about writing work: This poem was in response to a poetry prompt and inspired by recent problems my family has experienced with irrational, crazy, unprofessional teachers
The battle sweat lost
from fighting with teachers
who don't know their jobs
and are happy to make
good children's lives a misery,
Pig headed but foolish
stupid unwise
they collect their
pay cheques at the end
of the month
and salivate with bulging eyes
then back to work the next week
to inflict their poison on children
who they feel susceptible
to their wicked ways
while believing
they are the Gods
of the classroom
with a band of
followers
who will follow them
down the path
like sheep being herded up;
They don't allow children
to find their true voice
or to run free
And then following
their time at school
the chains of jobs
hang round their necks
until they have
no time left
and another life
has passed swiftly by
New Country.
by Nidhi Odedra
Nidhi Odedra is a, university student who and young aspiring poetess who's works are mainly based on social injustice, inhumanity, offenses, crisis during war and refugee life. Her works are published under several Indian publications like pratilipi and the write-order publications. She has been contributor to several anthologies and willing to share her message of humanity, love and compassion to more people around the world through her write-ups.
Description of writing work: "New country" is a Shakespearean sonnet from Nidhi Odedra's collection of verses (sonnet) *Sonnet of Sunset* following proper rhyme scheme "aa bb cc dd ee ff gg ".
New country,
Formed out of rivalry.
Not a story like anyother,
It goes beyond the borders.
Boundaries of love,
broke the loathe.
Was a view of the country,
where, dwelled my honey & my infancy.
My beloved country,
threatened bi ` archenemy.
A new place gave us refuge,
We renamed as Refugee.
Now, all was clam and good,
but my honey, for her return I look.
Collection : Sonnets of Sunset
A Lonely Girl Swallows Smoke
by Ava Devenitch
Ava Devenitch (she/her) is a student at Mount Holyoke College in Massachusetts studying English and Art History. She is a lover of great books, cats and museums, and finds the greatest inspiration in new adventures.
It was the branch that shaped itself and appeared to me as a deer –
The innocence as it reckoned with its own name
in the rust -
water falling –
The sighs of a million gods.
Here the air is the
old brag about
love
(it is sunshine, drugs),
But I feel existence as a void,
without tragedy
to accompany.
And when a shroud of a girl
flys her magic broomstick
through my window,
And into
my sleeping heart
I wince at strands
of her hair
licking –
Each a flame
at open wounds
nipping –
And talk in her neck
with numb cheeks
about nothing –
And the sweetest apologies crawl
from my body –
And slip
in between her teeth –
When her skin
feels like flesh
and blood
flickering.
Would you hate me
if I swallowed your life -
and took it with me?
(grow a gum tree set aflame to warm my belly.)
The leaves are glittering,
and the smell of smoke hangs over me.
It was the ease
of an angel’s breath
in ribbons –
twirling.
Stargazing
by Olivia Udoye
Olivia Udoye is fifteen years old and loves to read, write and listen to music. She hopes to be a writer one day and is often found procrastinating by writing poems and stories.
Golden pearls stitched on silk -
Glowing spiders
In their pitch-black web,
I sip from the night sky -
It tastes of blue width
And gilded sorrow,
I whisper to the silver moon -
Like she is my lover,
Anguished I gaze to the stars
And cry stardust as I utter a wish,
The stars nod silently and fulfil
My desire with a melancholic smile,
The moon laughs cold light
And the stars cry sullen glitter,
And suddenly I ask myself –
Drunk from a strange pain –
Do stars have wishes too?
"a poem about love."
by Lorhii Nelson
lorhii likes to think of herself as someone who tries to feel all of her emotions as deeply as possible and embrace them as if they will never return. that’s where her poetry comes from. the human experience.
coming up on 17. still in the same place that i was 4 years ago.
still comfortable in my sorrow. still believing that i will know when it is true love like in the movies.
like in the books about the beautiful girls with the beautiful lovers.
like in the children’s bedtime stories.
like in the fairytales.
still believing that my first kiss will warrant fireworks and that the first time i give my body away will be the last.
still stuck w the idea that no one ever actually means any harm and that
“i can change him.”
stagnant in this concept that it is possible for boys to love.
always giving my whole heart when i was only given a quarter of theirs.
remaining willingly naïve.
telling myself that if i wait to make love, i will find the right person.
the person who has loved in the same way as me their entire life.
at heart i am still 13.
i am still the little girl with the big dreams and wide eyes.
i am still the little girl who believed in fairytales.
i am still the girl who thinks flowers mean he loves you.
the one who thinks kisses fill in the gaps in between “i love you.”
the one who thinks sex means he is only for you and you are only for him.
she is me and me her.
the only difference is that she doesn’t know the truth.
in 12 days i am 17.
1 month ago i gave away my first kiss.
to a boy that i love.
a boy who has the potential to be my everything.
but there is a notion that continues to creep.
leaving me doubtful.
leaving me open to wondering.
wondering if he wants to be everything.
wondering if he feels the same.
wondering if he will allow me to unbreak his heart.
countless phone calls.
6 poems written with him in mind.
21 “i love yous”
11 kisses from him and only him.
3 meals shared with him.
1 beautiful moment at my house.
and all of the love in the world.
because this is my final attempt at love.
so i told myself i would give it my all.
i said i would make sure to give him a fair chance.
i wouldn’t give up on him.
but then again come the suppressed whispers.
the voices telling me it’s all futile.
the urge to let him go and tell him it is for the best.
tell him that he can find someone who he loves as much as they love him.
but for now i will continue to give him all of my heart.
i will continue to fill my kiss jar with him.
i will continue to believe in fairytales because in the end,
this heart is mine for the rest of my life.
and why have a heart
if you are incapable of love?
God; Do you even know my name?
by Camila .A. Robles
Camila .A. Robles is a 14 year old girl living in a small town in Florida. Now that she's learned how to live for herself, she embraces all that she loves with so much passion. Her schedule is packed with school, writing, reading, and dance, among other things. Nevertheless, she finds the time to appreciate all the little things and stay positive through it all.
I write what I cannot live.
A reverse of sorts, to what we usually know,
But that’s the thing, there is no
‘Usually’ knowing.
Somewhere and
Sometime
In the history of the world, the most unimaginable has happened
And as we learn
About
A new ideology being spread around
Creation.
Every time I am reminded of it
The weight
Gets larger
When I drop will you ever wonder? How much
I will be free the strength it takes for the glue to hold
The bricks
Together.
Don’t you ever wonder how it feels,
When the wall finally crumbles?
Who are you When you’re not carrying
Will you get back up and fly
Who are you When you’ve fallen
Or is that too heated of a question?
The pressure comes back on when you realize
That this idea is always in place.
You may not fly
Or you will end up like Icarus, FALLEN.
In the ocean, where blood is stored in your murderer’s teeth, the monsters come to eat.
Your shark. The one in your arteries, connecting to your heart, the blackest hole of your body. Where women of generations before you felt the same cavity.
Even with your body molded in
the fake grass and poisoned dirt, next to the
Walls of your childhood home,
The snake comes to bite
And the venom kills you within ten.
They say your life flashes before your eyes
What do you say when you end up seeing nothing
LET ME
Walk.
LET ME
Fly.
Let the bear rip flesh from bone, and let my heart be found in saltwater. Crevices of ice eroding for thousands of years before you feel the pulse. It never stopped beating.
There is no way to stop
The inevitability of life.
Of disaster.
Calmness you may fake, but you cannot teach.
It’s worth it.
Knowing I get to feel the waves of the ocean and the heat of the sun.
Let them find me
Still. YEARNING.
"wonderful thing"
by E.J.M.
E.J.M. is a poet/writer who loves putting her soul into poems. What inspired her to share her work with the world was the hope that her words could help people as much as they helped her. She has always loved reading since she was young. Now, she is writing various books and is excited to have people read them.
i was a scribe for our love
but now
as i write down these poems
that eulogize what we had
my words speak from more of a memory
rather than a current feeling
it's comforting writing about my heartbreak
because that's all i knew for so long
but now as i sit here gripping my pen
other words come to my mind instead
manuscripts tell of my own unique features
instead of your vivid sky blue eyes
soliloquies of who i am
rather than who i should have been for you
appear of my paper
scripts of my own struggles and accomplishments
start blossoming from the ink
and through all these words
i find who i am meant to be
maybe i am only able to
find who i am now
because i lost who i was
through heartbreak
you were all that consumed my mind
so much so that i forgot to pay attention
to the very soul that i occupy
of course
through all this literature about me
i won't forget you
how could i?
for you have been immortalized through my writing
yet now
i can also make sure
that i won't forget myself
for i can finally write about who i truly am
rather than who i was when i was attached to you
and what a wonderful thing that is
Thoughts
by anonymous
She likes writing and recently decided to share some of what she writes anonymously in an Instagram account
I hug my legs while on the floor
Rock myself from up to down
What's wrong?
Why do I feel like crying?
It stresses me out that I don't know why I feel like crying
It's like I'm fine, but my heart is sore
Don't know why
Don't know who
My thoughts go round and round:
They have no beggining
They have no end
I wonder why I still have friends
Why everything always ends
Where's all the time I've ever spent?
How am I always loving? But never myself
Why am I always hurting? When I don't seem injured
Why am I pouring my whole mind
into just a song?
3 minutes long
When it ends, hope this thoughts will be gone
I know they won't
I kind of also wish they won't
I wonder if someone else feels this way too
If the world I'm painting, why does it now seem blue?
I've never gone monochrome
Never wanted to
So if that's it, this color will change too
This floor will wipe away
I'd like a yellow or maybe you
Maybe I just need more paint in my life
Or maybe this is all they got
For my life and this wall
For my heart and my falls
Maybe this is who I am
I will never be enough
Or maybe I just like to watch
This circle go round and round
No beggining, no end
Just loneliness in my weekend
Just a comfy floor
A solid wall
Maybe someday, all of these will just be
thoughts.
Mumbling Glasses
by: Mehek Tripathy
Mehek is someone who thrives on books and fiction. She loves classic literature and is quite fond of metaphors and rhyme poems. When not procrastinating, she can be either found writing a short poem or humming her favourite song.
he said he fell in love
with a wild man's daughter
he says he loves her so much
it's all true laughter.
they start life together
all by fixing up her room //
she looks at him with a smile
like he kick started her doom.
he cherishes his glass
she cherishes none so much at all
like a thinning branch
forever doomed to fall.
they live life together
with too loud TV
and books on floor //
silent goodnights hindered
through locked bedroom doors.
their footsteps tiptoe
avoiding the presence of a clock //
the neighbours whisper
but no one dares knock.
they end life together
as much as separate rooms can //
with cracked glass mirroring their eyes
the worst medicine known to man.
"The Blue Yonder"
by: Jezabel Castillo
Jezabel Castillo is a Poet from New York who has been writing poetry for many years. Her work delves into emotionally significant themes. Her poems have appeared in EWR Every Day Poems, Mosaic Lit Journal, AuVert Magazine, Apothecary Journal, The Imperfect Zine Magazine, Tiny Wren Lit, Bottled Dreams Literary Magazine, and The Zinnia Anthology. You can find her work on Instagram @jezxpoet
I was sacrilegious
against beauty of
the blue yonders
rosemary's,
from silently
lionizing
the crooning of
fiendish lullabies.
My angel sent
stopped being
my guardian,
my felicity has
been holding
hands with
ashes in the ocean.
I've been berated
by the zephyr and
corroded by
the sands teeth.
I should've cherished
the salt in the sea.
My crux,
a eulogy.
Heaven is crying,
even Hell sends
its condolences.
Cathedral Ruins
by: Tatum Bunker
Tatum Bunker attends Utah Valley University. She loves thrifting and has a major sweet tooth. She runs The Letters Home Collection and Funky Monkey Zine, as of writing this, has about twenty publications. She is on the staff of about five other literary magazines as well. She can be found on Instagram with the users @tatumtypewriter, @thelettershomecollection, and/or @funkymonkeyzine.
With the church bells falling silent and crashing down into the building
Shattering the stained angels
Tearing the bible
and fulfilling the prophecy
Little sisters and puppy dogs cough blood
Soldiers stay at war, refusing to turn home
Housewives start the oven to climb inside
People get tattoos and loot and drink and kiss
They howl at the moon
Even the birds knew something was wrong, flying uselessly about
Governments are over, rendered useless
Nothing compared to the tide
Of the raging waters
Set to sink the ship and spirit
Going up in flames and ice, the Earth sinks
Deep down dark into the eternal abyss of the universe
universe
universe
It’s the end
Of
It all
Are you scared? Will you die in agony? Will you go to heaven? Is there heaven? Will I be there?
The scientists kill themselves
With acid and arsenic
They blame themselves, of course
So does the government
Why else would they be on their little helicopters, clutching wads of cash?
Their trophy wives have rusted anyways
Drink and be merry! For even the devil has mercy, stringing a golden fiddle to play a tune for us.
It’s chaos, our last minutes. Seconds. Hours? Days, maybe months.
Take a bottle and set it ablaze, burn your legacy to the ground
No one will be here to remember you
Wake up, wake up!
The sun will explode as the angels trumpet across the shattered glass, staining the ground red.
someone always knows the truth
say it
yes officer, he is my boyfriend
no, i was out with my friends
haven’t seen him since yesterday
we always got along, never fought
two birds, one stone
yeah, actually. his ex is a psycho. it’s her you should be interviewing, not me
you know where she is
there should be records of us reporting her
fine. she constantly broke into our house and stole my car and cash and whatever she could find. tore up my clothes too.
we both have restraining orders against her
what? she’s missing?
bottom of the river
thank everything, she was a menace
snitches get shot
why would i know where she is?
my boyfriend might, she harassed him the most. ask him.
no, i don’t make eye contact
…he’s dead?
say it
it was probably her! that crazy-
i don’t know what happened
like i said, i was out with friends
haven’t seen him since yesterday, thought he was with his friends
say it
you found what in the river?
As I Walk These Familiar Streets
by: Faith Denise P. Morales
Faith is a BA Communication Arts student majoring in Writing at the University of the Philippines Los Baños. An ambitious film enthusiast who wants to be prominent in entertainment media, she aspires to either become a writer, actress, or musician. She was one of the authors in the inception of Magkasintahan by Ukiyoto Publishing, particularly in Volumes XX and XXVI. She was also included in the 39th issue of The Fib Review by Muse-Pie Press. She currently lives in Los Baños, Laguna, but her hometown is in Bacoor, Cavite, Philippines.
As I walk these familiar streets
My weightless feet carried along the airy mist
My body dragged down by cashmere and baggage
Under denim and reflections
Still hanging on hope’s zesty lemons
As I walk these familiar streets
The chirp of violins
The boom of bass drums
The choir of rustling leaves
The swing of cellos
Out of sync with the beat of the wind
Sometimes it makes me wonder
Where do we go from here
Then I remember
The face you make
When your eyes grin on their thinnest
When your ears perk up in earnest
When your lips stretch, wing-like
Revealing your most unique and beautiful
Soul that conceals the
Loud silence that
Your ears may not perceive
But your heart emptied unto me
Surround the musky theater
Of fears and doubts;
Fill the orchestra
From uncertainties, to possibilities,
That maybe, just maybe
There is a ragged road waiting
To glow or dim
The flickering lights.
And the ever-standing sights,
Waiting to be explored,
Devoured,
Breathed,
Enjoyed.
As I walk these familiar streets
Shines a new beginning
There of more rooms,
Stages, fields, bridges
Anticipating your very footprints,
Exhales, melodies
Of warmth and absence
Of fear and regrets
Of smiles and tears
Of joy and peace
Every ounce, every step
Every flaw and every strength
Every “Hi”s and every “Bye”s
Every lows, every highs
Sometimes it makes me wonder
Where do we go from here
Then I remember
As I walk these familiar streets
There is no more “we”
Only “I” in waiting
Only “I” in receiving
It’s time,
Not because I cannot give it to you
A long time coming
As I walk these familiar streets
I’m here
To receive a gift I once threw away
Some spell it like
Arrogance
Or pride
But no, I call it
(self) Love.